Alfred Hitchcock knew about tension, knew that the most important thing was reliving it the right way. He learned that with one of his British films, Sabotage, where instead of saving the boy and the puppy from the bomb, he lets it kill them and everyone else riding on the bus. Sure, you were relieved that the clock in the corner had stopped and the Underground was intact, but there was still that tension in the back of your neck. Tension without relief is hell.
I feel the same way when I remember that Andi can't move.
It's hanging over us like that fucked up little black cloud in those anti-depressant advertisements. We talk about it, though really all we do is tell each other she's gonna be fine and we'll be a happy but strange family when the baby finally comes. Usually that's enough to make me feel better, but sometimes there's that little whisper of doubt in the back of my mind. What if she doesn't get better? What if she has this baby and won't be able to feel her in her arms? How are we supposed to cope with that?
{/PRIVATE}
Getting so close to the end so we all know what that means: gift basket time! Everybody, cast and crew, is getting one of these.
